On Mon­day, Sep­tem­ber 6, PBS will air the doc­u­men­tary Make No Lit­tle Plans: Daniel Burn­ham and the Amer­i­can City. Check local list­ings, as the tote-bag cadres like to say.

Watch it.

And it wouldn’t kill you to become a mem­ber of your local PBS sta­tion dur­ing the next pledge drive.

The DVD can also be bought directly from the film’s site.

(via PrairieMod)

In New York, The cen­ter for Archi­tec­ture is offer­ing a tour of Uso­nia, New York:

Join us for an insider’s tour of Frank Lloyd Wright’s Uson­ian Homes led by Roland Reis­ley, orig­i­nal Wright house owner and author of “Uso­nia, New York: Build­ing a Com­mu­nity With Frank Lloyd Wright”

Ticket includes bus trans­porta­tion to and from Uso­nia, boxed lunch and a tour of four Uson­ian Houses: Reis­ley House, Cooper House, Ser­lin House and Resnick House.

The tour is Octo­ber 2, 11:30AM to 5PM. Reg­is­tra­tion by Sep­tem­ber 15 is required. You can reg­is­ter here. The cost is $150 and the event ben­e­fits the youth and fam­ily pro­grams of the Center.

The book, Uso­nia, New York: Build­ing a Com­mu­nity with Frank Lloyd Wright is avail­able at Amazon.com.

This Fri­day, Sep­tem­ber 3, Mark Hertzberg will be sign­ing copies of his new book Frank Lloyd Wright’s SC John­son Research Tower at the Racine Art Museum Store. The event is part of the First Fri­day event in down­town Racine. 6PM to 7:30PM.

I’ve always thought that Frank Lloyd Wright’s Broad­acre City has been over-criticized. Yeah, with decades of hind­sight, it seems like a really bad idea and, God knows, I would not enjoy liv­ing there (I hate deal­ing with cars). But Broad­acre would be an idyl­lic par­adise com­pared to many, many other — worse — would-be utopias.

The Web Urban­ist is one of the those daily cat­a­logs of poten­tially inter­est­ing things, mostly intended to dis­tract you from get­ting your work done — you know, the site you go to read about “Ten West­ern Ghost Towns” or “Ten Scary Look­ing Par­a­sites that Live in Your Kitchen”. Yes­ter­day they posted “Retro-Futurism: 13 Failed Urban Design Ideas”. Of course Broad­acre City made the list, but it is by far the least awful of the places (with the pos­si­ble excep­tion of Booze­town). Admit­tedly, it’s not a real accom­plish­ment to be less unpleas­ant than Hitler’s Welthaupt­stadt, but even Le Corbusier’s Ville Con­tem­po­raine looks hell­ish next to Wright’s vision of suburbia.

charnely_house_2.jpgToday marks the fifth anniver­sary of Hur­ri­cane Kat­rina and the loss of an impor­tant por­tion of the lega­cies of Frank Lloyd Wright and Louis Sul­li­van. Three struc­tures linked to Wright were built in Ocean Springs, Mis­sis­sippi — The Charn­ley Cot­tage, the Charn­ley Guest Cot­tage and the win­ter home of Louis Sul­li­van. At the time the homes were designed, Wright was a drafts­man for Sullivan’s firm and he later claimed credit for them. At the very least, the homes were the result of a part­ner­ship between the two men (Jay Prid­more sum­ma­rized the debate in _Chicago Mag­a­zine in 2008).

Of the three, the Louis Sul­li­van house fared the worst: noth­ing above the foun­da­tion remained stand­ing. Just over a week after the hur­ri­cane, Blair Kamin wrote:

sullivanhouse1.jpgThe destroyed bun­ga­low was for two decades a vaca­tion get­away for Sul­li­van, renowned for his Car­son Pirie Scott store on State Street and his pio­neer­ing sky­scrap­ers. A com­pan­ion servant’s quar­ters a few paces away also was destroyed. Only a con­crete pad indi­cates some­thing sat there. From the bungalow’s veranda, Sul­li­van could gaze through over­hang­ing white wis­te­ria onto the waters of Davis Bayou, draw­ing inspi­ra­tion for his urban high-rises from the rural par­adise. Now the bun­ga­low is a carpenter’s scrap pile, scat­tered as far as 100 yards away from its orig­i­nal loca­tion. Every­thing is gone except an urn planter, brick foun­da­tion pieces and the famous tree where, in a well-known pho­to­graph, Sul­li­van struck his iconic pose look­ing toward the sea. “This is like some­body com­ing into Inde­pen­dence Hall and burn­ing the Dec­la­ra­tion of Inde­pen­dence. It’s irre­place­able,” said Paul Minor, 59, a Biloxi per­sonal injury lawyer who metic­u­lously ren­o­vated the house after pur­chas­ing it in 1986.

Here are the tragic before & after pho­tos. Some back­ground on the Sul­li­van cot­tage can be found here, and many more images and infor­ma­tion can be seen here in a 1905 arti­cle avail­able on Google Books.

The other two, orig­i­nally owned by the Charn­leys, were badly dam­aged, but had the poten­tial to be saved. As of early 2009, the two build­ings had been sta­bi­lized, and the very early states of restora­tion were slowly grind­ing for­ward.

s_elevation_summer_cottage.jpg

(via: PrairieMod)

Hour Detroit pub­lished fea­ture on the own­ers of the Turkel House in Detroit, Michi­gan. The cur­rent own­ers, Norm Silk and Dale Mor­gan, bought the house in 2006 and vir­tu­ally save the house with a $1 mil­lion restoration.

The men say they had talked abstractly about mov­ing to a smaller house, maybe some­thing mod­ern. But they liked their Palmer Woods neigh­bor­hood. One day, Silk drove by and spot­ted a for-sale sign. When they decided to buy, peo­ple called them crazy. They viewed the move as sim­ply want­ing to improve the house so they could enjoy liv­ing in a “cool place.” Along the way, it became their legacy.

“We’ve come to look at it like we’re care­tak­ers of some impor­tant archi­tec­tural piece, and it will keep going after we’re done with it,” Silk says.

A gallery of pic­tures accom­pa­nies the arti­cle. The pho­tos high­light the extaor­di­nary restora­tion, but also the feel­ing of light and space in the two-story Usonian.

The own­ers credit the Frank Lloyd Wright Build­ing Con­ser­vancy with putting them in con­tact with Wright experts to help with the restora­tion; they will be attend­ing the Conservancy’s annual con­fer­ence in Cincin­nati this September.

Descen­dants of Dar­win Mar­tin have donated six Japan­ese prints to the Mar­tin House Restora­tion Corp. for dis­play in Buffalo’s Dar­win Mar­tin House. More than just one-time fur­nish­ings of the Dar­win Mar­tin House, the prints were per­son­ally cho­sen by Frank Lloyd Wright for the home, adding an invalu­able authen­tic touch to the restored home.

It’s heart­warm­ing,” said Mary F. Roberts, exec­u­tive direc­tor of the Mar­tin House Restora­tion Corp. “It’s fit­ting and appro­pri­ate that the Mar­tin descen­dants believe the prints they have inher­ited from their par­ents and grand­par­ents should be brought back to their grand­par­ents’ home.”

It’s a sac­ri­fice, but a will­ing sac­ri­fice, by the fam­ily mem­bers, who come back fre­quently to visit the fam­ily home being restored on Jew­ett Park­way.

The six Japan­ese prints were donated by Dar­win Mar­tin “Jerry” Fos­ter, a grand­son of the Mar­tins; Mark Armesto, a granddaughter’s hus­band; and Betsy Mudra, a great-granddaughter.

“The Mar­tin fam­ily has set a won­der­ful exam­ple with these gifts,” said Mar­tin House cura­tor Eric Jackson-Forsberg. “It shows a real respect and love for the house, and an under­stand­ing of how impor­tant these prints were to the inte­rior that Wright envisioned.”

The prints won’t be installed in the house until late Fall 2011, after the com­ple­tion of restora­tion in July of that year. The dona­tion dove­tails With efforts to attract more Japan­ese tourists to the complex.

A New York Times weblog picked up the LA Times’s arti­cle on the price reduc­tions on the Frank Lloyd Wright homes for sale in Cal­i­for­nia. The NY Times blog­ger wrote this:

One owner is con­sid­er­ing a deal to move one of the houses to Japan.”

No, that’s not what the LA paper reported. What was reported was that the list­ing agent for the house claimed that it was a pos­si­bil­ity. Yeah, maybe the agent is telling the whole, unvar­nished truth. And, maybe that infi­nite num­ber of mon­keys have just about fin­ished the com­plete works of William Shake­speare too. Both events are sta­tis­ti­cally pos­si­ble pos­si­ble, but not likely to be occur­ring at this moment.

Is the Mil­lard House about to get crated off to Japan? God knows, I haven’t a clue. But I do know that the real estate bub­ble wasn’t caused by an excess of hon­esty on the part of real estate professionals.

Fun exer­cise: google “real­tor rosey pre­dic­tion”. See what I mean?

The Los Ange­les Times has an arti­cle on the inabil­ity to sell the two Wright homes in LA that are on the market.

The agent list­ing La Miniatura claims that dis­as­sem­bling the house and mov­ing it to Japan is at least a pos­si­bil­ity (note it’s the list­ing agent, not the owner mak­ing that state­ment, and the pos­si­bil­ity that he’s say­ing that sim­ply to draw atten­tion is not inconceivable).

After slash­ing the list­ing price over the last two years from $7,733,000 to $4,995,000 and not find­ing a buyer, Doe says he’s “talk­ing to an inter­na­tional art dealer with Japan­ese art-collector clients who might be inter­ested in buy­ing the house.“

“With my posi­tion in the preser­va­tion com­mu­nity, I will prob­a­bly be cru­ci­fied for say­ing this,” says Doe. “But we have to con­sider all options. We moved the Lon­don Bridge to the Col­orado River. Why couldn’t we move this house to Japan?“

The Ennis House is the other Wright cur­rently for sale — its price has been low­ered from $15 mil­lion to $7.5 mil­lion. Cur­rently owned by a pri­vate foun­da­tion, the house has already had sev­eral mil­lion dol­lars of emer­gency restora­tion work done (par­tially due to the 1994 earth­quake and tor­ren­tial rains). The new owner will need to com­mit mil­lions more to the house.

La Miniatura is in good shape hav­ing recently under­gone a multi-million dol­lar restora­tion. The pos­si­bil­ity of of one or both houses being acquired by the Los Ange­les County Museum of Art has been explored, but absent a donor with mon­u­men­tally deep pockets,that isn’t going to happen.

One bit of good news is buried in the arti­cle. The Free­man House, though owned by the Uni­ver­sity of South­ern Cal­i­for­nia, has not been open to the pub­lic. USC is explor­ing the pos­si­bil­ity of open­ing it to the pub­lic on a lim­ited schedule.

As always, there is a gallery of pho­tos with the arti­cle, with images of both La Miniatura and the Ennis House.

Later Update: The Chicago Tri­bune today has a related arti­cle on the inabil­ity of homes by famous design­ers in LA to sell. Homes by Richard Neu­tra and Rudolph Schindler have also gone unsold. Even in Chicago, the famous Ferris-Bueller-plummeting-Ferrari house, on the mar­ket for over a year, has had its price reduced.

UTCS_logo-159x300.jpgFrank Lloyd Wright’s Unity Tem­ple 38th Con­cert Series begins Octo­ber 8. Ticket sales for the full series or 3-pick sub­scrip­tions con­tinue through Sep­tem­ber 1, and sin­gle con­cert sales begin Sep­tem­ber 10.

New this year is “Din­ner and a Con­cert” — for each con­cert, one nearby restau­rant is offer­ing a spe­cial dis­count before or after the con­cert — sim­ply show proof of ticket pur­chase on the evening of the event. For the first con­cert by The WaiLin’ Jen­nys, Cucina Par­adiso is offer­ing 1/2 off a bot­tle of wine. Trust me, hav­ing din­ner and a bot­tle of wine in down­town Oak Park is one of the great ben­e­fits of being a Wright fan — half off the wine makes it even bet­ter (or, at least eas­ier to jus­tify the sec­ond bot­tle of wine).

Frank Lloyd Wright designed Unity Tem­ple to opti­mize acoustics, and by all reports, it’s a great place to lis­ten to music. Ticket sales help to sup­port the Unity Tem­ple Restora­tion Foun­da­tion. Good music, good food, good wine for a good cause; Frank would approve.

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