I just learned of Frank Lloyd Wright — Fallingwater, an iPad app released in early December. Crated by Planet Architecture and in-D media, creators of a number of documentaries on architecture, including fantastic ones on Frank Lloyd Wright.

I don’t own an iPad, so I won’t have a chance to try the new app, but I have watched three of the company’s DVDs, including the one on Fallingwater that the app is based on, and they are extraordinary; the creators care about architecture, and understand that great buildings are expressions of ideas, and not just something pretty to look at (I reviewed the DVDs here). I would not hesitate to recommend anything they make.

The iPad app is priced at $9.99, a bargain given that it’s photography alone is the equal to any coffee table book on Fallingwater you’ll find and it has a number of additional features that no book can replicate. On the iTunes Store, 4 of the five reviews are 5-star reviews, and the last guy only gave it 4 stars because he’s saving the fifth star for the perfect app he has yet to find.

For more information, you can view a short video trailer here, and see screenshots of the app here.

I’d be happy to be wrong, but that The Huffington Post chose to cherry-pick this passage from the news coverage of the potential Frank Lloyd Wright film does not fill me with hope and sunshine:

Beresford told press that the script “doesn’t whitewash [Wright] into some sort of saint.”

We all know that Frank Lloyd Wright was not a saint, in fact he was often indistinguishable from the Platonic form of the jackass. He’s not auditioning to be our best friend in junior high — he’s a dead guy who left behind 400 endlessly fascinating buildings. That doesn’t change, even if we learn he killed a man in a bar fight.

Truth is, Wright at his worst is less annoying the the Huffington Post at its best.

Director Bruce Beresford (Driving Miss Daisy and Crimes of the Heart) will direct a Frank Lloyd Wright biopic, tentatively titled Taliesin. Nicholas Meyer, author of The Sever Percent Solution and screenwriter of The Informant! and director of Star Trek II: The Wrath of Khan (“The needs of the many outweigh the needs of the few. Or the one”.) is writing the script.

“It’s a very good script,” Beresford told The Hollywood Reporter. “It doesn’t cover his whole life, just a small section of it, and it doesn’t whitewash him into some sort of saint.”

Beresford, who directed the best picture Oscar winner Driving Miss Daisy (1990) and was nominated for best director for Tender Mercies (1983), says he sparked to telling the tale of the private life of one of the greatest architects ever. “There’s a documentary by Ken Burns [the 1998 film, Frank Lloyd Wright] that’s quite good, but it’s odd that there’s never been a [feature] film about him,” Beresford said.

Producers J. Todd Harris, of Branded Pictures Entertainment, and Chicago-based Ed Bachrach, of Kartemquin Films, sent Beresford the script. They are currently raising money for the project, and Beresford has recently been scouting locations in and around Chicago.

WGRZ in Buffalo has a story on the tantalizing possibility that important pieces of Wright’s Larkin Administration Building are waiting to be discovered under a park in Buffalo.

When the Larkin was demolished, the debris was used to fill in an old canal and a park was built — it’s assumed that potentially important pieces could be found at the site. Carved epigrams, ornamentation, even parts of a fountain and large stone reception desk may lie beneath the park grounds.

The plan seems aspirational — the news story says nothing about the feasibility of the plan. Modern archaeology is expensive, and modern digs (even the well-funded ones of classical sites) use technology to identify a small area to study. I think excavating an entire park and sifting through tons of mostly uninteresting debris would be prohibitively expensive. Love to be wrong, though

PrairieMod posted a link to this video — a time-lapse video of the restoration of the Park Inn hotel in Mason City, Iowa. A pleasant four-minute interlude for your Sunday morning.

[Long-time readers will have seen this link before (more than once), but it is, by far, the best thing I've ever unearthed]

The video I linked to earlier this week on Annunciation Greek Orthodox Church reminded me of this audio of an interview (originally aired on WDUQ, Pittsburg public radio) of legendary Wright apprentice Edgar Tafel and Franklin Toker, author of Fallingwater Rising. In it, Toker advances his theory that Wright had done at least some of the design before hand, that the story that he quickly sketched it out in front of apprentices as Kaufman, Sr. approached Taliesin was mistaken. Tafel quickly slaps Toker’s theory down, mocking it. It’s a classic.

Even better, if you listen through to the end, Tafel sings the Taliesin fight song. Just great.

The Wauwatosa Patch has posted a video on the Annunciation Greek Orthodox Church, on of Wright’s last designs and one of his most radical.

Interviewed in the video is Construction Supervisor John Ottenheimer. Listen to him at about the 3:10 mark — his comments are reminiscent of the legendary story of Wright’s “on the fly” design of Fallingwater.

This is great introduction to an under-appreciated masterpiece.

To commemorate Taliesin’s centennial, the company Tour de Force 360VR has created an interactive tour of Wright’s Spring Green estate.

This is not a sad, little collection of photos on a real estate agent’s webpage — it’s an actual tour, with narration provided by a historian of the site (Taliesin is my favorite Wright building, yet I learned something new in first few minutes).

Admittedly, the difference between a computer-based visit to Taliesin and an actual visit is, to steal a phrase, the difference between the lightning and the lightning bug, but this very impressive. It offers views that are never allowed on the tour (like a view in the Blue Loggia, including a close view of The Carpet That Must Never Be Trod Upon) and a good sense of what Wright valued in a space. Even the music is well chosen; Wright loved music and filled his own homes with it, so the soundtrack is gathered from his favorite pieces.

The controls reward some experimentation (I just now discovered how to zoom) and the whole tour is worth dedicating a bit of your time and a lot of your attention.

The filmmaker behind the documentary Romanza, the California Structures Designed by Frank Lloyd Wright uncovered a trove of Wright-related items: “a group of never before seen artifacts that are sure to excite not only Frank Lloyd Wright fans, but electrify the imagination of the general public as well” (sic — hyphens my friends, use ‘em).

Do we know what they are?

Nope.

When will we see them?

At the premiere of Romanza, the California Structures Designed by Frank Lloyd Wright.

If Michael Miner discovered significant artifacts, good for him. If he wants to reveal them at a press conference in room festooned with posters for the film, force the reporters to sit through a preview of his film and regale them with the tale of tragedy and perseverance that was the making Romanza before revealing the astounding stuff he found — fine, he earned it. Yell it from a rooftop, take a victory lap or three. Be proud, push your movie, be a salesman.

But don’t taunt and tease. Don’t be a jerk.

Here’s the press release from the California Council of the AIA (who should be ashamed):

blockquoteRecently Discovered Frank Lloyd Wright Artifacts to be Unveiled Following World Premiere of New Wright Film

OCTOBER 12, 2011 BY AIACC LEAVE A COMMENT LOS ANGELES, CA — Michael Miner, Producer/Director of the new Frank Lloyd Wright Documentary “Romanza, the California Structures Designed by Frank Lloyd Wright” has announced the discovery of a group of never before seen artifacts that are sure to excite not only Frank Lloyd Wright fans, but electrify the imagination of the general public as well. According to Miner, “We found them completely by accident while working on the new film, and not in a place you would expect. They aren’t related to the California buildings, but I know that Wright fans everywhere will be genuinely ecstatic by their existence. They are truly profound.” The World Premiere screening of Romanza will be held Friday, October 21, 2011 at 8pm at The Alex Theatre in Glendale, CA. After that, Miner embarks on a 6 month national lecture and screening tour and will be bringing along the collection of Wright pieces. He adds “ I know those attending the programs will want an up close look. Fans of Frank Lloyd Wright are very passionate.” Michael Miner is the writer and producer of two other Frank Lloyd Wright documentaries: “Sacred Spaces, the Houses of Worship designed by Frank Lloyd Wright” and “A Child of the Sun, the West Campus of Florida Southern designed by Frank Lloyd Wright.” “Romanza” is the third film in what will be a total of seven in the Wright series. General admission is 25.00 advance purchase, 30.00 day of event. Student admission is 15.00 with ID. All proceeds benefit the Frank Lloyd Wright Foundation. Tickets can be purchased at the Alex box office in person or by phone (818) 243-2539 12 noon to 5 PM Friday thru Sunday. Or by internet anytime at alextheatre.org. Contact and booking info: Michael Miner flwchildofthesun@att.net 972-556-9684 About “Romanza” – In 1909, Frank Lloyd Wright designed a summer home for George and Emily Stewart in Montecito, California, Wright’s first California commission, and his only prairie school building in the state. Thus began a 50 year relationship between Wright and the Golden State, a relationship that would last until Wright’s death in 1959…and even beyond. Wright designed more than 80 projects for California, and saw more than 25 built. The buildings were both grand and modest, public and private, and came from each major era of Wright’s 7 decade long career. “Romanza”, the third Frank Lloyd Wright documentary from Writer/ Producer/Director Michael Miner, is the story of that relationship. With unprecedented access to every California Wright building, “Romanza” journeys all over the state, from the Los Angeles textile block houses famous for their appearances in dozens of Hollywood films, to Wright’s only San Francisco commission, a building which he designed as a “glass of champagne”, from the cinder block homes of the San Joaquin valley, to the “Ship’s prow” home on the beach of Carmel bay, from Wright’s contentious relationship with oil heiress Aline Barnsdall, to perhaps the most charming of all Frank Lloyd Wright stories, the design for a doghouse in response to a 12 year olds letter. We visit all 25 buildings, including the 3 California “legacy” projects, built long after Wright’s death. Also included is substantial material on Wright’s unbuilt California work, some of the most fantastically imaginative structures he ever designed. California. Although he was more prolific elsewhere, in no other place did Wright better demonstrate his passion for the beauty, the magic, and the wonder, of the art form that is architecture./blockquote

There’s more to Buffalo architecture than Frank Lloyd Wright and Louis Sullivan — there’s Shea’s Buffalo Theater.

WGRZ has a story on the 1926 theater designed by Chicago architects Rapp and Rapp:

They spared no expense. The interior was designed by Louis Comfort Tiffany. Construction costs were $1.9 million. Everything was top shelf, from the custom carpeting, to the 135 Czechoslovakian crystal chandeliers, more than any other theatre in the country. When this theatre was built in 1925, Michael Shea told Rapp and Rapp that he wanted it to look like a European opera house.”

© 2012 The Frank Lloyd Wright Newsblog Suffusion theme by Sayontan Sinha