The Darwin Martin House in Buffalo has received a $250,000 gift as the foundation for a $750,000 challenge grant. The challenge grant will go towards a slate of interior restorations estimated to cost $5 million or into an endowment fund. The planned interior renovations include recreation of Wright’s layered wall treatments, and a full restoration of the Martin fireplace that featured a glass tile mosaic.

The donation was made by Louis Ciminelli, head of LPCiminelli Co, a Buffalo construction firm.

A $135,000 purchase by the Graycliff Conservancy has knitted together the original parcel owned by Darwin and Isabelle Martin on the shores of Lake Erie, Graycliff.

The Conservancy has bought the 1934 gardner’s cottage, a bungalow designed by an unknown architect almost certainly not Frank Lloyd Wright. The Conservancy hopes that information about the designer inside the house. Wright did draw up plans for a caretaker’s cottage, but it was never built.

Much of the 1934 house is still in its original condition — including a cypress and brick fireplace that uses the same materials as a fireplace in what is now named the Isabelle R. Martin House.

The house also still has its original maple floor, window frames made of cypress and exterior stucco that, though painted a different color, mimics the Wright-designed buildings on the estate.

The cottage will be used as a residence, possibly for a caretaker or visiting scholar, and there are plans to allow public access through tours or special events.

The National Trust for Historic Preservation is meeting in Buffalo, and the Darwin Martin House is ready for its close-up.

Buffalo Rising has a post, with photos, on the latest steps the Martin House Restoration Corp has taken toward completing the restoration.

The Weekly Wright-Up, the blog maintained by the Martin House curators, mentioned that the ferns and flower arrangements in the house replicate those seen in a 1907 series of photos of house.

This October Buffalo, New York will offer a preview of the plans to restore the Richardson Olmstead Complex, a signature work of architect Henry Hobson Richardson and landscape architect Frederick Law Olmstead.

After decades of disrepair, a rehabbed portion of the mammoth Medina sandstone and brick facility, now known as the Richardson Olmsted Complex, will temporarily open for the National Preservation Conference in October, providing a glimpse into its future.

The plan is to turn the tower building and two buildings flanking it, equaling close to one-third of the complex, into a boutique hotel and conference center, architecture center and possible Visit Buffalo Niagara satellite location. Construction is planned to begin by 2013, with the hotel and other entities opening in 2014.

Visitors entering the iconic patina-capped tower building, last occupied in the early 1990s, will see repaired and replaced plaster walls, now painted taupe and salmon; repaired 16-foot-tall ceilings and ornamental crown moldings; and refurbished maple floors, interior woodwork and grand staircase. The area covers two hallways, an entryway, three rooms and a curved connector — about half the first floor.

“It looks great. I never thought it would be looking that good in my lifetime,” said Frank Kowsky, a Richardson scholar and retired Buffalo State College art history professor who toured the building recently. “It’s only limited to the ground floor and the staircase, but it’s quite something.”

The 11 building complex is the first example of Richardson Romanesque, his signature style and one that shows up as hints in the work of Louis Sullivan.

Further construction is expected to begin in 2013 and completion is planned for 2014.

Here’s an article on Buffalo’s transportation Museum. A long-planned expansion to the museum will include a Frank Lloyd Wright-designed gas station that was designed but never built for the city.

The authenticity of such projects is debated in architectural circles. Some critics consider them dubious at best, since Wright’s designs were site-specific and were often reworked on site.

“We love the controversy,” Sandoro said. “I think it’s a great discussion. A lot of the purists who were criticizing us and came in 2009 to the [Frank Lloyd] Wright Building Conservancy conference — we actually hosted a meeting here — turned it right around because we are putting it inside, and we’re able to explore it as a model of exactly what he was going to build at Michigan and Cherry. We’re never holding it out to anybody that he actually built it.”

Wright scholar and author Jack Quinan said he has grown less critical of the filling station because it will be an exhibit inside a museum. “It gives us a chance to experience what Wright was only able to put on paper, but which was an idea. It gives Buffalo a claim to importance. This was his idea for servicing the automobile, and it happened here, in a way,” said Quinan, an art history professor at the University at Buffalo. Still, Quinan said he remains uneasy about bringing Wright’s unrealized projects to life.

“There is a danger it could cheapen the real stuff,” he said.

Construction has yet to begin on the building that will house the gas station — that’s planned for next spring.

Sep 122011

Buffalo’s television station WGZR has a story on Sullivan’s Guaranty Building in downtown. Worth watching.

Another restoration story: the interior work at Graycliff is progressing. The Graycliff Conservancy is two months into the restoration of the Sun Porch of the Martin family’s summer house on Lake Erie.

Although it is not the grandest room in the building, Hooper said that the Sun Porch is pivotal to the restoration and that it “sets the stage for what’s to come.”

The ceiling and three walls of the Sun Porch have been redone in their original stucco. A rubber floor and light fixtures will also be remolded to Wright’s intent.

Currently, a state-of-the-art fire suppression system is being installed in the fourth wall of the room. The system is designed to emit a fine yet high-pressured mist in the event of a fire, so that no decorations or artifacts endure water damage.

BuffaloNews.com gives a bit more bulk to the news of the beginning of interior restoration of the main house at Graycliff.

You can see WGRZ’s news story on the property. The details in the story are basic, but photography gives a good idea of how Graycliff looks.

Graycliff, the Martin family summer home on Lake Erie, can now be added to the list of Frank Lloyd Wright sites that are getting dramatic improvements in 2011. A recent press release listed the current state of the restoration, and future plans.

Exterior restorations of all three Wright-designed buildings — the Isabelle Martin House, the Foster House and the Heat Hut — at Graycliff have been completed. Restoration of the first interior space, the Family Sun Room, is beginning. This restoration will consist of restoration of the stucco floor and ceiling and the lighting fixtures and the installation of a rubber floor that matches the 1928 original. A restoration of eight acres of the estate’s historic landscape is also beginning.

Buffalo is the site for the October, 2011 annual conference of the Nation Trust for Historic Preservation, giving national exposure to recently completed projects at both the Darwin Martin House and Graycliff.

The New York Times covers an extraordinary gift (note: per the NYT stylebook, the article includes the obligatory character smear of Wright — he didn’t like New York, and the NYT has been returning the favor ever since) to the Darwin Martin House: an original window from the demolished and reconstructed coachhouse valued at $100,000.

The carriage house was razed in 1962, and in 1985 the Clarksons bought the window from an architect who had salvaged it. The couple hung their purchase over a doorway, with thermal glass protecting it from falling trees and Buffalo weather. “It was sort of hiding in plain sight” at the Clarksons’ house while preservationists kept dropping hints encouraging its restitution, said Eric Jackson-Forsberg, curator of the Martin House. “Now that we are both octogenarians,” Mr. Clarkson said in a recent phone interview, “rather than waiting for our demise, we decided we should give it to them now, because of the extraordinary progress that has been made at the house.” Julie L. Sloan, a stained-glass restoration consultant and historian in North Adams, Mass., has appraised the piece at more than $100,000. She knows of virtually no precedent for a Wright window given back to its original home. “Most of them are too valuable, so people want to hold on to them,” she said.

The original window has been installed in prominent location, easily seen from the street.

© 2012 The Frank Lloyd Wright Newsblog Suffusion theme by Sayontan Sinha