Mark Hertzberg reviews Saving Wright: The Freeman House and the Preservation of Meaning, Materials, and Modernity on his site Wright in Racine.

The Freeman house, owned today by the University of Southern California, was designed by Wright in 1924 in a dramatic (and problematic) location in the Hollywood Hills. The original clients lived in the house until their deaths in the 1980s.

From the Amazon description:

This book is a case study on the preservation of an important work of modern architecture. The story of the Freeman House, and of the attempt to save it, entails almost all of the provocative issues that make historic preservation as a field so fascinating, technologically and theoretically complex, and politically charged.

Saving Wright chronicles the ongoing struggle to save Wright’s Freeman House in the Hollywood Hills, the setting for fascinating people and events but deeply flawed from the time it was built ninety-five years ago. The Freeman House was an experiment born out of Frank Lloyd Wright’s polemical vision of a new kind of architecture for the middle class, for modern America, and, in particular, for the Los Angeles foothills. Its design and construction were difficult, thus, along with many poor decisions, planting within a beautiful work of architecture the seeds of its own destruction.

The Ennis House, on the market since 2009, has been sold for $4.5 million . The buyer is Ron Burkle, an investor (and part owner of the Pittsburgh Penguins), Burkle ranks as #347 on Forbes list of riches people in the world (that makes him as rich as George Lucas, richer than Oprah Winfrey, Donald Trump, Mark Cuban and Stephen Spielberg).

Burkle has committed to continuing restorations; public access to the house for 12 days a year was granted by a conservation easement to the Los Angeles Conservancy.

Built in 1924 (the last of Wright’s four Myan-themed textile block houses), plagued by problems most of its life, the house was severely damaged in the 1994 earthquake and then by heavy rains in 2005. It made the Nation Register’s list of most endangered historic properties in 2005.

The Ennis House Foundation has spent millions on stabilization efforts. It placed the house on the market in 2009 for $15 million, lowered the price to $7.5 million and then to $6 million.

Edgar Tafel’s gift

Article and nice collection of photos of Sullivan’s National Farmer’s Bank in Owatonna, Iowa.

Updates at Wright in Racine

A Marion Mahoney Griffith article by Alice T. Friedman — I didn’t have time to read this (remind me about it when I get back) but it looks seriously good. Great stuff for your Sunday morning.

A video tour of a “Suntop” house.

NYT visits Wright in LA.

What we missed at Wright and Like .

May 312011

One of my automated searches coughed up a six-month-old article on the Millard House in California (La Miniatura).

I’ll just note that more than six months later, nothing more has been heard from the mysterious foreign buyers who planned to move the house to another country.

I’m so tempted to write “I told you so”.

The third phase of restoration work on the Hollyhock House will begin after Memorial Day. The work is expected to take 18 months, and the tour schedule will be curtailed during that time .

For this round, to cost $4.3 million, much of the work is routine and will be invisible to the public, but it will protect the house from water damage in the future (the first two phases, completed in 2005 repaired damage from an earthquake in the mid-90s). Other work, while subtle, should warm the hearts of Wright fans:

Some of Hollyhock House’s geometrically patterned stained-glass windows will be sent out for special restorative cleaning, and the porch’s concrete floor, installed during a 1970s renovation, will be replaced by oak that matches the original 1921 floor trod by Wright’s client, Aline Barnsdall. The work list also includes repairing cracks in two fountains on the grounds, which could pave the way for them to be refilled with water for the first time in years — although Herr says that the entire project budget may be used up on the house itself, leaving it to future fundraising to provide for the fountains’ revival.

The money for the restoration comes from a variety of sources, including nearly half a million from the “Save America’s Treasures” program of the National Parks Service.

A private effort to restore the gardens and landscaping of the house will begin fundraising in June. The Friends of Hollyhock House will kickoff a $500,000 drive on June 10. Tickets can be purchsed on-line ($65), or bought at the door ($80). Eric Lloyd Wright is planning on attending the event.

“Having the gardens restored would give Hollyhock House back its curb appeal,” Herr said, especially the drive-up area called the Motor Court. “It’s now a sort of hideous piece of blacktop. Plantings would give it a completely different feel.”

These three links were published as fillers on their respective websites, but there are worse ways to waste time on the internet than looking at republished articles and photos of great Frank Lloyd Wright buildings.

Arch Daily looks at both Wingspread and Unity Temple. I think they posted the first to chastize you (or at least me) for procrastinating long enough on the Friday Excursion tickets that they sold out, and the second to remind you not to dink around so long that Wright Plus will sell out.

The Los Angeles Times visits the Ennis House, and includes a lavish photo gallery, though I think it’s the same one they ran a few months ago, but it is worth seeing again anyway.

The city of Los Angeles has stepped back from its plans to turn over the museum and sites at Barnsdall Art Park to private, non-profit organizations. [The Hollyhock House](The Hollyhock House) was not part of the privatization plan, but the entire park, including Hollyhock, was a bequest from Wright’s client, Alice Barnsdall to the city to provide an accessible arts center. The city had hoped to save nearly half a million dollars with the transfer.

Mark Hertzberg has noted another passing this weekend: Robert Leary.

Mark has has a detailed remembrance (here , and a bit more here ) of Leary, who died Sunday at the age of 52, that you ought to read. Put simply, Leary energetic advocate for the Ennis House, serving as first chairman of the Ennis House Foundation when the survival of the house itself was in question (here is a 2005 article from The New York Times on the creation of the foundation).

Robert Leary did not work tirelessly to restore a unique Wright property, he worked to literally save one from destruction. But he didn’t just want to save the house, he wanted to understand it:

“Wright called a lot of his supports ‘dead men,’ joists, support beams, load bearing walls under the properties. I wanted to see just how the Ennis House had originally been supported. I was crawling in the guts of the house in the mud and the dirt, and there was this rusted piece of metal that was just sicking out of the dirt. I was wondering what it was. I dug and dug more. I saw it was a square with metal supports on both sides, holding two pieces of wood. I realized it was a mold for the negative space or the inside of a block. Obviously, when the workers were finished, they just left it there, so we have this wonderful cultural artifact of the craftsmanship of these four wonderful (textile block) houses, but especially of the Ennis House, of the 27,000 blocks, produced one at a time. They were not cookie cutter, not mass produced. Here was material that they used; that they used to build the Ennis House! “That sort of thing…is priceless. It is like finding the Raiders of the Lost Ark Holy Grail. Historians and researchers and craftspeople in the future can see that this was in effect just one on one, a worker producing his art.”
Dec 312010

The Frank Lloyd Wright Building Conservancy scheduled a special event in Los Angeles. In a year of signature Wright events, this one is a stand out:

What does Hollyhock House have in common with the Taj Mahal? Find out on Saturday, February 26 when Wright expert Lynda Waggoner, Director of Fallingwater and Conservancy board member, discusses the ongoing UNESCO World Heritage List nomination process and the Conservancy’s serial nomination of several Wright structures, including Hollyhock. The lecture will be held at the Barnsdall Gallery Theatre and followed by a tour of the magnificent Hollyhock House. The day is also scheduled to include a tour of the Millard House (1923-1924), Wright’s first and most celebrated use of textile block, in nearby Pasadena, as well as an evening reception at a distinctive Hollywood destination. Location and additional details will be announced shortly.

More information will be forthcoming.

(via Curbed LA)

The Hollyhock House (Aline Barnsdall House) in Los Angeles is getting a $4 million restoration between now and late 2013.

Work will be done on the historic garage, repairs to the foundation and extensive work on the roof to stop persistent leaks. Work will also be done to improve resistance to seismic damage. A tree whose roots are damaging a retaining wall will also be removed.

The house will remain open while work is done.

Not included in current plans is the restoration of Residence A — work that has been estimated to cost nearly $2 million.

Funding for the project comes from the State of California, the National Park Service/Save America’s Treasures and seismic bond funds. The sources of the funds means that the work is not subject to the budget cuts that are affecting the surrounding park.

Los Angeles, unable to fund its existing public art centers, is planing to find partners for the centers, including the Barnsdall Art Park, home to the Hollyhock House. The partners would assume operating costs, while the city would retain ownership.

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